A brilliant, idiosyncratic collection of introductions and afterwords (plus some liner notes) by New York Times bestselling and Pulitzer Prize winning author Michael Chabon -- "one of contemporary literature's most gifted prose stylists" (Michiko Kakutani, New York Times). In Bookends, Pulitzer Priz... Full description
A brilliant, idiosyncratic collection of introductions and afterwords (plus some liner notes) by New York Times bestselling and Pulitzer Prize winning author Michael Chabon -- "one of contemporary literature's most gifted prose stylists" (Michiko Kakutani, New York Times). In Bookends, Pulitzer Prize winning author Michael Chabon offers a compilation of pieces about literature -- age-old classics as well as his own -- that presents a unique look into his literary origins and influences, the books that shaped his taste and formed his ideas about writing and reading. Chabon asks why anyone would write an introduction, or for that matter, read one. His own daughter Rose prefers to skip them. Chabon's answer is simple and simultaneously profound: "a hope of bringing pleasure for the reader." Likewise, afterwords -- they are all about shared pleasure, about the "pure love" of a work of art that has inspired, awakened, transformed the reader. Ultimately, this thought-provoking compendium is a series of love letters and thank-you notes, unified by the simple theme of the shared pleasure of discovery, whether it's the boyhood revelation of the most important story in Chabon's life (Ray Bradbury's "The Rocket Man"); a celebration of "the greatest literary cartographer of the planet Mars" (Edgar Rice Burroughs, with his character John Carter); a reintroduction to a forgotten master of ghost stories (M. R. James, ironically "the happiest of men"); the recognition that the worlds of Wes Anderson's films are reassembled scale models of our own broken reality (as is all art); Chabon's own rude awakening from the muse as he writes his debut novel, The Mysteries of Pittsburgh; or a playful parody of lyrical interpretation in the liner notes for Mark Ronson's Uptown Special, the true purpose of which, Chabon insists, is to "spread the gospel of sensible automotive safety and maintenance practices." Galaxies away from academic or didactic, Bookends celebrates wonder -- and like the copy of The Phantom Tollbooth handed to young Michael by a friend of his father he never saw again -- it is a treasured gift.
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Michael Chabon was born in Washington, D.C. on May 24, 1963. He received a B.A. in English literature from the University of Pittsburgh in 1985 and a Master of Fine Arts degree in English writing at the University of California at Irvine in 1987.
Chabon found success at the age of 24, when William Morrow publishing house offered him $155,000, a near-record sum, for the rights to his first novel The Mysteries of Pittsburgh, which was his thesis in graduate school. After The Mysteries of Pittsburgh became a national bestseller, he began writing a series of short stories about a little boy dealing with his parents' divorce. The stories, which in part appeared in The New Yorker and G.Q., were bound together in 1991 into a volume titled A Model World and Other Stories. His other works include Wonder Boys, The Astonishing Secret of Awesome Man, Telegraph Avenue, and Pop: Fatherhood in Pieces. In 2001 he won the Pulitzer Prize for fiction for his novel The Amazing Adventures of Kavalier and Clay. He and Ayelet Waldman are co-editors of, Kingdom of Olives and Ash: Writers Confront the Occupation..