Summary
"A revolutionary new understanding of the most famous and influential building in the world, a thesis that calls into question our basic understanding of the ancient civilization that we most identify with. For more than two millennia, the Parthenon has been revered as the symbol of Western culture,... Full description
Summary: |
"A revolutionary new understanding of the most famous and influential building in the world, a thesis that calls into question our basic understanding of the ancient civilization that we most identify with. For more than two millennia, the Parthenon has been revered as the symbol of Western culture, the epitome of the ancient society from which we derive our highest ideals. It was understood to honor the city-state's patron deity Athena, and its intricately sculpted surface believed to depict a celebration of civic continuity in the birthplace of democracy. But through a close reading of a lost play by Euripides, accidentally discovered on a papyrus wrapping an Egyptian mummy, Joan Connelly began to develop a new theory that has sparked one of the fiercest controversies ever to rock the world of classics. Now, she recounts how our most basic sense of the Parthenon and of the culture that built it may have been crucially mistaken. Re-creating the ancient structure from its natural environment to its pediment, and using a breathtaking range of textual and visual evidence, she uncovers a monument glorifying human sacrifice set in a world of cult rituals quite unlike anything conventionally conjured by the word "Athenian."--Provided by publisher. |
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Physical Description: |
xxiii, 485 pages, 4 unnumbered pages of plates : illustrations, maps ; 25 cm |
Bibliography: |
Includes bibliographical references (pages [357]-456) and index. |
ISBN: |
030759338X (hardback) 9780307593382 (hardback) 0307476596 (paperback) 9780307476593 (paperback) 0385350503 (ebook) 9780385350501 (ebook) |
Author Notes: |
JOAN BRETON CONNELLY is a classical archaeologist and the author of two previous books, Portrait of a Priestess: Women and Ritual in Ancient Greece and Votive Sculpture of Hellenistic Cyprus . She received her A.B. in classics from Princeton University and Ph.D. in classical and Near Eastern archaeology from Bryn Mawr College, where she now serves on the board of trustees. In 1996, Professor Connelly was awarded a MacArthur Fellowship. She received the Archaeological Institute of America's Excellence in Undergraduate Teaching Award in 2007 and held NYU's Lillian Vernon Chair for Teaching Excellence in 2002-2004. She has held visiting fellowships at All Souls College, Magdalen College, New College, and Corpus Christi College at Oxford University, and at the Radcliffe Institute for Advanced Study, Harvard University, and has been a member of the Institute for Advanced Study in Princeton. Professor Connelly has excavated throughout Greece, Kuwait, and Cyprus where she has directed the Yeronisos Island Excavations since 1990. She is currently a professor of classics and art history at New York University. |