Summary
A savage, funny, and mysteriously poignant saga by a renowned author at the height of his powers. Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious Anti-Social Behaviour Order), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He pr... Full description
Summary: |
A savage, funny, and mysteriously poignant saga by a renowned author at the height of his powers. Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious Anti-Social Behaviour Order), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love (and to protect a family secret that could be the death of him). But just as he begins to lead a gentler, healthier life, his uncle--once again in a London prison--wins £140 million in the lottery and upon his release hires a public relations firm and begins dating a cannily ambitious topless model and "poet." Strangely, however, Lionel's true nature remains uncompromised while his problems, and therefore also Desmond's, seem only to multiply. |
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Physical Description: |
1 online resource |
Format: |
Requires OverDrive Read (file size: N/A KB) or Adobe Digital Editions (file size: 2132 KB) or Kobo app or compatible Kobo device (file size: N/A KB) or Amazon Kindle (file size: N/A KB). |
ISBN: |
9780307958099 |
Author Notes: |
Amis published his first novel, The Rachel Papers, in 1973, which received the prestigious Somerset Maugham Award in 1974. Other titles include Dead Babies (1976), Other People: A Mystery Story (1981); London Fields (1989), The Information (1995), and Night Train (1997). Martin Amis has been called the voice of his generation. His novels are controversial, often satiric and dark, concentrating on urban low life. His style has been compared to that of Graham Greene, Philip Larkin and Saul Bellow, among others. He is currently Professor of Creative Writing at the Centre for New Writing at the University of Manchester. In 2008, The Times named him one of the 50 greatest British writers since 1945. (Bowker Author Biography) |